I love 19" rack gear, and the little Sansui AU-317 is no exception. With 2 × 50 W into 8 Ω, it is a medium-power integrated amplifier, of course built in the late ’70s like many of the greatest “vintage” amplifiers. Its specs are not bad at all, but there are limitations too. Let’s check it out.

❗ Caution

All information is provided “AS IS”, without warranty of any kind, express or implied.

❗ Caution

The elevated voltages inside this amplifier can cause damage, severe injury, and death. If you are not authorized or qualified to work on such equipment, do not do it. If you follow along, you do so at your own risk.

Technical specifications

According to the service manual, the Sansui AU-317 delivers 50 W per channel into 8 Ω with no more than 0.03% total harmonic distortion and has a frequency response of DC to 200 kHz (+0 dB / −2.5 dB) at 1 W when the signal source is connected to the POWER AMP IN inputs. The damping factor is specified to be approximately 70 with an 8 Ω load. In a brochure, Sansui advertised a fairly high slew rate of 40 V/µs.

The trouble with 4 Ω loads

The service manual does not specify the power into 4 Ω loads, and I have seen people online advising against using this amp with 4 Ω loads, with remarks to the effect of “that’s how you blow up your amp.” Others say that it’ll be fine. The rear-panel screen print warns:

WHEN YOU CONNECT TWO PAIRS OF SPEAKER SYSTEMS, EACH OF THEM MUST HAVE IMPEDANCE OF 8 OHMS OR MORE.

To me, this implies 4 Ω capability as long as only one speaker system is active. Also: The aforementioned brochure specifies 72W into 4 Ω.

Adding to the confusion, and maybe one of the reasons some people might not want to connect 4 Ohm speakers, the somewhat different Sanusi AU-317 II has a more limiting warning printed on the rear panel:

SPEAKER IMPEDANCE MUST BE 8 OHMS OR MORE. WHEN USING TWO PAIRS OF SPEAKER SYSTEMS SIMULTANEOUSLY, TOTAL IMPEDANCE MUST BE 8 OHMS OR MORE.

What’s right then for the first generation of the Sansui AU-317?

The Sansui AU-317 uses complementary power BJTs 2SC1403 and 2SA745 in the now almost extinct TO-3 package. Luckily, a datasheet is easily available (from ISC, not Sanken), but of course there is no SOA diagram. The datasheet specifies a maximum collector-emitter voltage of 100 V, a maximum collector current of 8 A, and a maximum power dissipation of 70 W. The transition frequency is given as 10 MHz typ. (NPN) and 15 MHz typ. (PNP), respectively.

Let’s assume the Sansui AU-317 actually delivers 72 W into 4 Ω, then we’d have peak currents of about 6 A for a resistive 4 Ω load. This is relatively close to the maximum collector current of the transistors. The real issue though is the power dissipation in the transistors with inductive loads like speakers: it can be much, much higher due to the phase shift between voltage and current (i.e., voltage is present across the transistor while current flows through it), often coinciding with reduced power-handling capability at higher collector-emitter voltages due to secondary breakdown. So, despite the fact that BJTs can usually withstand a higher power dissipation for short periods of time, I would say that using 4 Ω speakers with this amp should be possible, at least to some degree, but isn’t ideal.

Initial condition

From the start, my unit was in fairly good physical condition. As far as I can tell, no one has ever serviced the unit, and I couldn’t detect any major issues either. Some of the controls, such as the speaker selector, were very slightly scratchy, but I have seen much worse. I noticed a volume change when switching between tone control “on” and “defeat.” To be honest, I wouldn’t be surprised if it came that way right from the factory.

Initial condition of the amplifier after removing the top cover.
Initial condition of the amplifier after removing the top cover. OK, you got me—I have already changed the unit over to 240 V.

Since I planned to do more than just a basic service, I performed a substantial number of measurements to identify potentially hidden issues and to be able to compare the results with measurements taken after the service and modifications.

Dust covers all the parts exposed by the vents, but I have seen much, much worse.
Dust covers all the parts exposed by the vents, but I have seen much, much worse. A lot of corrosion is visible on the metal tabs of the driver transistors.

In contrast to the second generation of the Sansui AU-317, the first generation supports splitting the preamplifier and power amplifier, making separate measurements really simple.

Pre-service Measurements

This is an excerpt of the measurements performed.

Preamplifier

Humm before the service/modification (AUX).
Humm before the service/modification (AUX). With -90dB for the 50Hz tone (line frequency) the preamp produces more humm than it should.

Total Harmonic Distortion vs. frequency of the preamplifier for a 1Vpp input at 0dB gain.
Total Harmonic Distortion of the preamplifier for a 1Vpp input at 0dB gain. Deviation between the channels below 200Hz.

Frequency response for a 0.5Vpp input at 0dB gain.
Frequency response for a 0.5Vpp input at 0dB gain. The preamplifier has a bandwidth of about 100kHz. A minor mismatch between the channels can be observed.

Frequency response with the tone controls on, but in neutral position.
Frequency response with the tone controls on, but in neutral position. The signal is audibly attenuated. The tone defeat/on switch works like an inverse loundness switch ;)

Step response for a 20Hz squarewave signal.
Step response for a 20Hz squarewave signal.

Step domain response for a 100kHz squarewave signal.
Step response for a 100kHz squarewave signal. The output is heavily slewrate limited.

Power amplifier

Total harmonic distortion vs. frequency of the power amplifier at 1W into 8 Ohms.
Total harmonic distortion vs. frequency of the power amplifier at 1W into 8 Ohms.

Total harmonic distortion vs. frequency of the power amplifier at 50W into 8 Ohms.
Total harmonic distortion vs. frequency of the power amplifier at 50W into 8 Ohms.

Frequency response of the power amplifier at 1W into 8 Ohms.
Frequency response of the power amplifier at 1W into 8 Ohms. Bandwidth is approx. 400kHz (-3dB). Minor gain mismatch between both channels of approx. 0.2dB.

Step response of the power amplifier for an 8 Ohm load.
Step response of the power amplifier for an 8 Ohm load.

Service and modifications

If there isn’t a good reason not to replace almost 50-year-old electrolytic capacitors, I usually replace them on sight. Exceptions can be expensive main filter capacitors in good working condition. (This should not be confused with a repair strategy; it is just maintenance.)

The Sansui AU-317 amplifier.
The Sansui AU-317 amplifier with new main filter capacitors and the new output transistors installed. The vertically mounted PCB on the left-hand side is the protection indicator board with the multivibrator.

Power supply

The main filter capacitors measured about 82% and 85% of their nominal capacitance, respectively, so in this case they had to go. Sansui used capacitors with two additional mounting pins. Although less common today, KEMET still offers replacements with the exact footprint (ALF70C103DD063)—no need to modify the PCB or use an adapter. Note that the new capacitors are about half as tall.

The AU-317 has a Zener-regulated series-pass power supply for the preamp, phono preamp, tone circuits, and microphone preamp. It lacks the closed-loop control of the higher-end models in the series (e.g., AU-717) and therefore exhibits more ripple. If one is inclined to reduce the power-supply ripple, an obvious method would be to increase the capacitance of the capacitors in the power-supply circuit (C605, C606, C607, C608, C609, C610). The generally smaller size of modern capacitors helps here.

That being said, I would strongly advise against doing so without understanding the roles of the different capacitors in the circuit and the consequences of changing their capacitance, including but not limited to:

  • Larger filter capacitors will generally put more stress on certain components such as the transformer, fuses, rectifier diodes, and resistors. This may lead to damage to individual components, the power supply, or connected circuits.
  • Increasing the capacitance might prolong the time until the voltage rails have fully stabilized. The protection circuit might switch the protection relay on before the rails have stabilized, resulting in a certain DC offset at the speaker terminals during power-on (and therefore an audible pop from the speakers).

It might be necessary or advantageous to mitigate these side effects, especially if the capacitance change is significant.

The same idea can be applied to capacitors C11, C12, C23, and C24, which together with R47, R48, R53, and R54 form a low-pass filter for the supply of the VAS stage. Be aware that the pulse energy dissipated in the resistors during power-on is substantial; one has to ensure that the resistors used can handle this.

Of course there was a ton of glue around the large capacitors.
Of course there was a ton of glue around the large capacitors. The two ceramic capacitors were replaced due to signs of corrosion on the legs.

I did increase certain capacitance values and made sure to mitigate potential issues.

In my opinion, it is recommendable to check and potentially replace heat-stressed transistors such as the series-pass elements (T601: 2SD356, T602: 2SB526). In this instance, one of the series-pass transistors was at the low end of its H_FE group. This could have been the case from the factory, or the transistor may have degraded over time. I chose to replace these with modern MJE15032/MJE15033 transistors.

Preamplifier

The amplifier had a gain mismatch of about 0.1 to 0.3 dB, explainable by variations in the stepped volume potentiometer and potentially tolerances in other components. This was reduced with a tiny, inconspicuous parallel SMD resistor that changes the gain of one channel just slightly.

Tone amplifier

The slightly audible deviations between “tone on” and “tone defeat” are likely predominantly caused by tolerances in the stepped bass and treble potentiometers and, as such, cannot be fully compensated without replacing the potentiometers.

By decreasing the effective values of R37, R38, R41, and R42, I was able to flatten the frequency response with the tone circuits engaged. The optimal values were determined with the help of my programmable precision resistor. Again, SMD chip resistors (parallel to the THT components) were used to make the changes permanent. This leads to a nicely matching frequency response for the ±2 and ±4 bass and treble settings in my particular case, but this can lead to worse results in other cases (see also post-service measurements). Again, this is due to the imperfections of the potentiometers.

Driver circuit

The four still-working transistors in the VAS stages (T07, T08, T11, T12) were replaced due to visual signs of heat stress accumulated over almost five decades with widely available TTA004B and TTC004B transistors. The TTx004B transistors have a lot of gain, usually even more than the E grade of the obsolete KSC3503/KSA1381. Unfortunately, the output capacitance (C_ob) is quite a bit higher. Not ideal… Still, I’ve found the TTx004B to work pretty well (see measurements): I think it’s a decent choice of a transistor that you can actually order from reputable sources in large quantities at a reasonable price.

Although the original driver transistors (T13, T14: 2SD357; T15, T16: 2SB527) were quite badly tarnished, the corrosion did not impact their electrical performance (yet?). By now, you might correctly guess that I replaced those as well. TTC004B/TTA004B transistors were chosen again, here for their comparatively high current gain and transition frequency, which should be helpful in this EF2 design. I want to make clear, though, that I am not sure these are the best choice. The reason is that they are far less robust than other common driver options such as the aforementioned MJE15032/MJE15033, even if the TTx004B’s current-handling capability is almost double compared to the original drivers (1.5 A vs. 0.8 A continuous collector current). TTx004B transistors are still lower-power devices, and from my simulations I would guess that they operate close to their SOA limits at very high loads with low-impedance speakers—especially without proper heat sinking as in this application. On the other hand, I am pretty confident that for my use case they should do just fine.

The fusible resistors were still within spec, the worst one was about 4% high; all were replaced with flameproof resistors with a specified fusing characteristic. My initial measurements revealed a minor gain mismatch between both channels of approximately 0.2 dB. This can be fixed by replacing the feedback resistors (R13, R14, R31, R32) with low-tolerance or matched resistors. I chose matched 1% 50 ppm metal film resistors, but want to make clear: I did this for the fun of it; such a tiny difference can usually be considered inaudible.

New output transistors

This is my own amplifier, and I am absolutely willing to replace perfectly well-working original output transistors. Of course, I will keep the retired ones. Requirements for the new output transistors include a compatible case (TO-3, TO-3P), a wide SOA, and a high(ish) transition frequency. Therefore, MJ21193/MJ21194 complementary power transistors are out, and there are not many other new TO-3 devices available anymore.

To me, the obvious choice is the complementary power transistor pair NJW3281G/NJW1302G (TO-3P), with a maximum collector-emitter voltage of 250 V, a maximum continuous collector current of 15 A, a maximum power dissipation of 200 W, and a wide SOA. With a transition frequency of about 40 MHz (PNP) and 50 MHz (NPN), respectively, at similar test conditions as for the original transistors, the new outputs can be considered much “faster,” although the output capacitance is likely much higher as well.

The new NJW3218G/NJW1302G output transistors installed. Note that the original mounting hardware (screws) cannot be reused with these transistors.
The new NJW3218G/NJW1302G output transistors installed. Note that the original mounting hardware (screws) cannot be reused with these transistors.

An alternative would be the slightly less robust 150 W variants NJW0281G/NJW0302G, which have a lower output capacitance. Luckily, the new transistors have a somewhat higher current gain than the original ones, reducing the load on the drivers.

Sansui specified to set the bias so that the voltage at the test point (i.e. across both emitter resistors) is 10 mV. For the new output transistors, I almost doubled the bias current to just below 20 mV in favor of lower distortion figures.

Heat sinking

New driver and output transistors are all well and good, but the heatsink solution is what it is. So, for short periods of time—where the thermal mass of the heatsink is large enough—the amplifier should be much more robust. Still, thermal limitations remain, both for the drivers and the outputs. I disassembled the two-part heatsink to reapply heatsink compound—the tiny amount of compound that was applied at the factory was completely dried out. For the output transistors I used Bergquist Sil-Pads (TSP K1300/K-10).

Protection relay

Of course, I had to use my new solid-state relay, which I presented in one of the previous posts. The replacement itself was fairly uneventful; it works as intended. Although the solid state relay does not require a flyback diode I left one in circuit, just in case someone wants to convert the amplifier back to a machanical relay.

The solid state relay.
The solid state relay.

Protection indicator

In the Sansui AU-717, the power LED doubles as a protection indicator by blinking as long as the amplifier is in protection. In contrast, Sansui saved a couple of bucks (or cents) by omitting a protection indicator on the AU-317’s front panel—the power LED is on as long as the positive rail voltage is present.

Blender rendering of the new protection light PCB.
Blender rendering of the new power/protection light PCB with the multivibrator circuit from the Sansui AU-717.

Since I use my solid-state relay, which does not produce an audible click when (dis)engaging, I opted to replicate the AU-717 circuit. The result is a small PCB that implements a multivibrator circuit like the one in the AU-717, made of two transistors, two capacitors, and a couple of resistors. To make the implementation simple, an optocoupler galvanically isolates the “not-in-protection” input (driven by the voltage across the relay coil/control input). The PCB is mounted vertically on the left-hand side of the chassis using holes predrilled by the factory.

The PCB installed using factory provided mounting holes.
The new PCB installed.

Mains cable

Usually, I leave well enough alone and do not change the mains cable. That being said, I generally prefer power inlet sockets over directly attached mains cables, and this time the mains cable was in undesirable shape. So I removed one of the unswitched outlets and replaced it with an IEC type C8 socket with almost identical dimensions. Only a tiny bit of filing was required. Note that it is absolutely necessary to ensure that the connector can handle the applicable electrical and safety requirements.

The IEC type C8 socket installed. In this picture the hole from the old cable grommet isn’t covered yet.
The IEC type C8 socket installed. In this picture the hole from the old cable grommet is not covered yet.

Post-service/modification measurements

Preamplifier

Significantly reduced hum after the restoration/modification.
After the service/modification there is much less humm, e.g. -10dBV for the 50Hz tone (AUX).

Total Harmonic Distortion vs. frequency of the preamplifier for a 1Vpp input at 0dB gain.
Significantly reduced Total Harmonic Distortion of the preamplifier for a 1Vpp input at 0dB gain.

Frequency response for a 1Vpp input at 0dB gain.
Frequency response for a 1Vpp input at 0dB gain. The bandwidth remains at about 100 kHz. The amplitudes of both channels differ by no more than 0.05dB from 10Hz to 90kHz.

Frequency response for a 0dBV input at 0dB gain as measured by the QA403 audio analyzer: Tone defeat.
Frequency response for a 0dBV input at 0dB gain: Tone defeat.

Frequency response for a 0dBV input at 0dB gain: Tone on.
Frequency response for a 0dBV input at 0dB gain: Tone on, bass and treble controls neutral. There is an attenuation of about 0.5dB, but now the frequency response is still flat.

Frequency response for a 0dBV at 0dB gain: Tone on, +10 bass, +10 treble.
Frequency response for a 0dBV at 0dB gain: Tone on, +10 bass, +10 treble.

Frequency response for a 0dBV at 0dB gain: Tone on, -10 bass, -10 treble.
Frequency response for a 0dBV at 0dB gain: Tone on, -10 bass, -10 treble. For the bass -10 setting the deviation between the channels increased. You cannot get everything right, because the stepped potentiometers have too large of a tolerance.

Power amplifier

Total harmonic distortion vs. frequency of the power amplifier at 1W into 8 Ohm.
Total harmonic distortion vs. frequency of the power amplifier at 1W into 8 Ohms. Lower distortion for low frequencies, ever so slightly higher, but similar and still low distortion figures for high frequencies.

Total harmonic distortion vs. frequency of the power amplifier at 50W into 8 Ohm.
Total harmonic distortion vs. frequency of the power amplifier at 50W into 8 Ohms. Lower distortion.

Frequency response of the power amplifier at 1W into 8 Ohm.
Frequency response of the power amplifier at 1W into 8 Ohms. Bandwidth remains at approx. 400kHz (-3dB). The amplitudes of both channels differ by no more than 0.1dB from 10Hz to 400kHz. Flatness is 0.07dB (left channel) and 0.05dB (right channel) from 20Hz to 20kHz.

Step response of the power amplifier with an 8 Ohms load.
Step response of the power amplifier at into 8 Ohms. It seems to be generally similar to the step response before the restoration/modification. Depending on the amplitude there can be some (small) overshoot. Ringing can be observed with 2.2µF in parallel at about 1W, but the amp does not break into oscillation. (Have not and will not try this at high power levels.)

Conclusion

The restored and modified amplifier in operation.
The restored and modified amplifier in operation.

The service and modifications were successful: the amplifier should be more robust and less prone to damage with 4 Ω loads (although I would still be careful with sustained high loads and difficult-to-drive speakers due to the thermal limitations of this rather compact amplifier). Also, most measurements show similar or better performance for both the preamplifier and power amplifier:

  • Less hum from the preamplifier
  • Less or similar distortion for the most part
  • A flatter frequency response from the tone amp in the neutral position
  • Less difference between the amplitudes of both channels for both the preamplifier and the power amplifier
  • Similar bandwidth and slew rate (the gain/phase margin might be slightly reduced, see comment on step response of the power amplifier in the image description)
  • A relay that does not really care whether it turns on or off with a signal present
  • A protection indicator (blinking power LED when in protection)

It’s a great little amplifier that performs surprisingly well. I enjoy using it.